Why you should mix records on crap speakers
In 2008 I wrote a post about mixing on tiny speakers. 37signals thought it was pretty and good reposted it on the 37signals blog. Then I redesigned my website and lost everything I'd written. I just found part of this post again on the web so here's what was left!
It’s the very naive producer who works only on optimum systems.” -Brian Eno
It’s unlikely whoever is buying your records has anything better than an average hi-fi, boombox, car stereo, or ipod. I’d bet they don’t have studio monitors.
Recording & mixing solely on studio monitors is foolish. All that low end in the guitar? It’s useless in the small speakers. It’s just taking up frequencies the bass or drums or organs or tenor instruments can occupy. You have to be ruthless in cutting away useless frequencies so the record is loud & jumps out of all speakers. Make the record sound outstanding on little crap speakers since that’s where most people will hear it. I’ve found when... read more